What is a man made for? A 60-second hype film for the Supreme Convention.
VO + B-Roll60 SecondsNo Shoot Required
Best For
Convention reel Social media Chapter activation
02
“Called”
One real Knight. Four moments. His Exemplification, his family, a pregnancy resource center, a disaster site. Casting, directed shoot, full production.
Full Narrative Production2-3 Minutes3 Shoot Days
Best For
Recruitment Parish deployment Chapter use
03
“Since 1882”
An archival and b-roll film in two acts. Where the Order came from, and where it is now. The historical case for why this mission continues to matter.
Best For
Convention Major donors Leadership audiences
Video 1 | Supreme Convention Hype Video
“What a Man Was Made For“
60 seconds. VO and b-roll. Music-driven.
A 60-second hype film for the Supreme Convention. Opens on a question. The next 54 seconds are the answer.
VO + B-Roll
Runtime
90 seconds
Convention. Plays immediately before the Supreme Knight speaks.
Production
No shoot
Existing footage library. One VO recording session.
Context
Supreme Convention
Plays immediately before the Supreme Knight addresses the assembly.
0:00 – 0:06
Black. Silence.
Text on screen: “What is a man made for?”
0:06 – 0:08
Music enters. Hard cut.
“This.”
0:08 – 0:42
Fast cuts. Images hit.
Text on screen: Charity. Unity. Fraternity. Patriotism.
0:42 – 0:50
Music peaks. Scale.
“On every continent. In every crisis. For 142 years.”
0:50 – 0:54
Music holds.
Text on screen: Made for this.
0:54 – 1:00
Black. Silence.
Text on screen: Knights of Columbus.
Fastest to Produce
No casting, no locations, no shoot days. Edit and music do the work.
The Theological Spine
Opens on a question. The next 54 seconds are the answer.
Music Direction
Starts absent. Single instrument enters hard at 0:06 with the cut. Builds through the fast cuts. Peaks at scale. Drops for the close.
The Four Principles
Charity. Unity. Fraternity. Patriotism. Each word hits with a cut. No explanation needed.
Video 2
“Called“
2 to 3 minutes. Full narrative production. Casting. 3 shoot days.
One man. Four moments. The same call answered across an entire life.
Full Narrative Production
Runtime
2-3 minutes
Recruitment and parish contexts.
Production
3 shoot days
Casting, location scouting, directed shoot. One real Knight across four locations.
Primary Use
Recruitment
Parish, digital, and chapter deployment.
“The days of easy faith are over. The question is what you do about it.”
Open
Black. Silence.
A man kneeling in a dark church. Pre-dawn light. We don’t see his face.
Text on screen: “Called.”
The Exemplification
Music enters. Low.
A council hall. Men standing. He kneels. A rosary placed in his hands. He stands different than he knelt.
The Father
Music builds.
Breakfast. Four kids. Chaos. In the middle of it — he and his wife find each other. Just for a moment. It’s enough.
The Pregnancy Resource Center
Hard cut.
A small room. A screen. A heartbeat. A woman sees her child for the first time. This is why he came.
The Veteran
Music builds.
A folded flag. Service medals. A photo of him in uniform. The man he was. Transition to: orange vest, disaster site. He lifts without being asked. Same hands.
The Turn
Music peaks. Silence.
The same man. Four moments. Fast cuts. Then — kneeling. Alone.
Text on screen: “This is what it looks like when a man says yes.”
Release
Music. Full.
Men at work. Men at prayer. The Order at scale.
Close
Music fades.
Text on screen: Knights of Columbus.
Casting
Real Knights, not actors. Three men who carry genuine weight on screen.
3 Shoot Days
Exemplification ceremony. Family home. Pregnancy resource center. Disaster relief site. Four locations. One man.
The Exemplification
The CUF Exemplification is open to family and guests. It is the origin of the film. Everything that follows is its fruit.
Music Direction
Starts absent. Single note enters at the Exemplification. Builds through the Father. Peaks at the Turn. Drops to silence before the close.
Video 3
“Since 1882“
3 minutes. Archival and b-roll. VO and music.
Two acts. 142 years of mission. The same men. Different century.
Archival + B-Roll. No Shoot.
Runtime
3 minutes
Archival footage and b-roll. VO throughout.
Production
No shoot
KofC Supreme archives for Act One. Modern b-roll for Act Two.
Primary Use
Donors and leaders
Donor and leadership audiences.
Open
Black. Silence.
“A parish basement. New Haven. 1882. Twenty-nine men. It started here.”
1882
Music enters. Low.
A young priest in New Haven founded the Knights of Columbus to protect Catholic immigrant families left destitute when their fathers died.“Fathers were dying. Families had nothing. A priest gathered men. And gave them a mission.”
The Great War
Archival.
Knights ran the only racially integrated service facilities on the Western Front, serving every soldier regardless of faith or color.“Every soldier. Every faith. Every color. All welcome. When others drew the line. Knights didn’t.”
1925
Archival.
Knights fought Oregon’s Compulsory Education Act to the Supreme Court, winning a landmark ruling that preserved the right to Catholic education in America.“They tried to close Catholic schools. Knights went to the Supreme Court. They won.”
Mexico
Archival.
During the Cristero War, the Mexican government banned the Catholic faith; nine Knights were martyred rather than abandon it.“The government banned the Mass. Nine Knights chose death.”
1954
Archival.
After a three-year Knights of Columbus lobbying campaign, President Eisenhower signed the words “under God” into the Pledge of Allegiance.“Two words. Under God. Knights put them there.”
The Hinge
Music stops. Black.
“The mission never changed. Only the battlefield.”
Act Two
Music. Propulsive. Color.
“One thousand ultrasound machines. One life at a time.
Ukraine. Forty-eight hours after the invasion. Knights were there.
God calls men to the priesthood. Knights make sure they get there.
Wherever faith is under threat. Knights are there.”
The Mirror
One man. Same posture. Different century.
Close
Music fades.
“In 1882 the Church needed men. She still does. We are still here.” Knights of Columbus.
VO Casting
One voice. Authoritative. Not performed. The words carry the weight.
Two Deliverables
3:00 full cut for donor and leadership contexts. 90-second cut for convention use.
The Edit Does the Work
No VO. No narration. Act One’s visual grammar carries into Act Two without announcement. The editor makes the argument.
Act Two
Color footage. Ultrasound machines. Ukraine. Seminarians. Religious liberty. The same work. Right now.
Three Films. One Order.
Each concept is ready to produce.
Tell us which direction you want to move on. Production timeline and budget within 48 hours.
Tim Moriarty
Founder and CEO
Tim has an impressive career in the film and television industry, where he has been recognized with numerous awards for his work as an actor, director, and producer. He holds a Bachelor's and Master's degree in Philosophy from Boston College, along with a Master's in Fine Arts in Acting from Louisiana State University.
His experience includes working on popular television shows such as Blue Bloods, The Blacklist, House of Cards, Luke Cage, and Manifest. Tim's work extends to a wide array of films and commercials as well.
In 2017, Tim established Castletown Media, a production company that partners with international clients to create powerful and inspiring videos. Since its start, Castletown Media has become known for its innovative approach and creativity.